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Broken Bow filled his pipe and, handed it to him. He lighted it by a brand from the fire, and sent great puffs of smoke curling upward. This smoke met the other smoke and stopped it. It could not descend any lower.,"Does it? I was bred in a different belief. In my world the mighty do no wrong; and a third son is nowhere. He is shunted; handed on; if possible, scotched. The sun is not made for him, or the first waltz, or caviare, or the 'sweet shady side' of anything. In fact, he 'is the man of no account' with a vengeance!",Perhaps he is afraid for her. Perhaps it is a gentle hint to her that the truth will be best. Whatever it may be, Mona understands him not at all. His mother glances up sharply.,"You are talking too much," says Mona, nervously.,When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good.,But before this, when things had gone too far between father and son, and harsh words never to be forgotten on either side had been uttered, George, unable to bear longer the ignominy of his position (being of a wild and passionate yet withal generous disposition), left his home, to seek another and happier one in foreign lands.,"I will help you. Bring only a knife.","Yet answer me," persists he, very earnestly.,Mona, with a beating heart, but with a courage that gives calmness to her outward actions, closes the window, draws the shutters together, bars them, and then goes back to Geoffrey, who has not moved since Rodney's departure.,Here the old woman at the fire, who has been getting up and down from her three-legged stool during the past few minutes, and sniffing at the pot in an anxious manner, gives way to a loud sigh of relief. Lifting the pot from its crook, she lays it on the earthen floor.,It is a very pretty room, filled with a subdued light, and with a blazing fire at one end. All bespeaks warmth, and home, and comfort, but to Mona in her present state it is desolation itself. The three occupants of the room rise as she enters, and Mona's heart dies within her as a very tall statuesque woman, drawing herself up languidly from a lounging-chair, comes leisurely up to her. There is no welcoming haste in her movements, no gracious smile, for which her guest is thirsting, upon her thin lips.,"Don't now," says Mona, in a low, soothing tone folding her in a close embrace; "this is wrong, foolish. And when things come to the worst they mend.".